The full library
Come back to your senses.
You have met the flagships. These are the ones that live in the back room.
These gauges are drawings, not readings of you. Tap one, watch it wobble, and watch it come back.
Fifteen practices, three to ten minutes each. Every sense gets a second practice that trains a different part of it, and a third that draws on firmer research. Then one capstone runs all seven senses on a single bite of food. Same rules as before: no scores, no poses to get right, and every practice ends with one question.
0 of 22 practiced on this device
One practice for all seven at once: First Bite.
Three practices deep.
The flagship
One per sense, on the main page. It is the practice to start with, and the seven of them make the 35-minute class.
The second
Trains a different part of the same sense. Inner Drum listens for the heartbeat. Five Gauges reads hunger, thirst and tired muscles.
The third
Draws on firmer research, and often asks for a little more time or kit: a basin of warm water, a folded blanket, three pencils.
This is skills practice, not treatment. It does not diagnose or treat any condition. Warm Feet, Warm Soak and Night Song are bedtime practices, not sleep treatments. Every practice shows how strong its research is. Where a grade has two halves, the first describes the research and the second describes this short script. No study has tested these exact scripts.
01The inner senseSecond practice
Five Gauges
Read five dials on your own dashboard: hunger, thirst, bladder, breath and tired muscles.
Set up. Any position, anywhere. It fits best at a natural break: before a meal, mid-afternoon, before bed.
- Hunger. Put your attention in your stomach. Empty, neutral or full?
- Thirst. Check your mouth and throat. Dry or fine?
- Bladder. Empty, some, or soon?
- Breath. Without changing it: fast or slow, high in the chest or low in the belly?
- Muscles. Find the most tired muscle you have right now.
- Pick the gauge reading furthest from comfortable and answer it: drink, eat, rest or go.
What did you notice?Which gauge had been reading for a while before you looked?
Why it works, and how good the evidence is
The inner sense covers far more than the heartbeat. Hunger, thirst, a full bladder, breathing and muscle fatigue are all reports from inside the body. Checking them on purpose, before they shout, is practice at catching quiet signals.
The research. Across six studies, researchers built a 21-item questionnaire on how accurately people believe they perceive everyday body signals, including hunger, thirst, breathing, the need to urinate and tired muscles (Murphy et al., 2020). That paper measures the skill; it does not test a way to train it. The training trials cited under Inner Drum worked on the heartbeat and on guided body attention, not on this checklist.
Evidence grade: Early.
Soften or skip. If hunger and fullness are a charged subject for you, skip that gauge and read the other four. This is noticing, not a health check; a signal that worries you is a question for a clinician.
Read the five gauges
Set each gauge to what you feel right now. Skip any gauge you would rather not read.
01The inner senseThird practice
Bone Deep
Send your attention under the skin to four places a body scan skips: bone, the spaces between, moving blood and the gut at work.
Set up. Lying down or seated, shoes off. Eyes closed or resting.
- Bone. Feel where something hard in you meets the floor or chair: heels, sit bones, the back of the skull. Rest your attention on the hardness inside the soft.
- Follow one long bone from end to end, a shin or a forearm. Imagine its weight.
- Spaces. Feel the gaps between your toes, one at a time. Then between your fingers. Then the space inside your mouth.
- Blood. Without moving, look for a pulse somewhere far from the heart: fingertips, lips, behind the knees.
- Gut. Rest your attention below the ribs. Warmth, movement, sound, emptiness or nothing all count.
- Sort it. Which of those did you feel, and which did you picture?
What did you notice?What did you truly feel, and what did you imagine?
Why it works, and how good the evidence is
Signals from deep tissue are faint and mostly filtered out before they reach awareness. A specific, unusual target gives attention something to search for. Some of what turns up is sensation and some is imagery, and telling them apart is the skill.
The research. In two small controlled studies, adults followed a recorded 20-minute body scan every day for eight weeks. In the second study, accuracy at perceiving their own heartbeat improved against a comparison group that did nothing; in the first, the gain did not clearly beat an audiobook comparison (Fischer et al., 2017). In a larger study, 148 adults practiced a body scan and breath meditation five days a week for three months, and five of eight self-rated scales of body awareness improved against a retest group (Bornemann et al., 2015). Both trained for weeks with a region-by-region scan. The four targets here are this program's own.
Evidence grade: Promising.
Soften or skip. If attention inside the body brings unease, keep your eyes open and stay with step 1. Skip the gut step if the belly is a charged area for you. This is not a health check.
Felt it, or pictured it?
After the practice, mark each of the four. Pictured is not a wrong answer. Telling the two apart is the skill.
02WarmthSecond practice
Warm Feet
In bed, read the temperature of your feet and let them warm before you ask for sleep.
Set up. Lying in bed, lights low. Socks on, or an extra blanket over your feet.
- Feel your right foot: toes, sole, heel. Warm, cool or neither?
- Compare it with the left. Which foot is warmer? Which toe is the coldest of all ten?
- Compare your feet with your hands. Which pair is warmer?
- Picture warmth running down your legs into your feet, like standing in sun-warmed sand. Watch for anything real: warmth, heaviness, tingling, a pulse.
- Let it spread through the soles and up to the ankles.
- Stop steering. Rest your attention on the warmest spot you found and leave it there.
What did you notice?What warmed first: toes, soles or heels?
Why it works, and how good the evidence is
As the body gets ready for sleep, the small vessels in the hands and feet open and release heat. Warm feet are a sign that shift has begun. Socks help it from outside; attention lets you feel it from inside.
The research. A sleep-laboratory study reported that how far the skin vessels of the hands and feet had opened was the best physiological predictor of falling asleep quickly (Kräuchi et al., 1999). It measured the body's own warming; it did not test socks, imagery or this script. The warmth-attention evidence under Warm Hands applies here as well.
Evidence grade: Early. This is a bedtime practice, not a sleep treatment.
Soften or skip. With reduced feeling in the feet or a circulation condition, use socks only: no heating pad, hot water bottle or hot soak, because a foot that cannot feel heat can burn. Feet that stay cool are normal; reading them is the skill.
Read your feet, before and after
Cool on the left of each slider, warm on the right. Set them to what you feel, then come back after the practice.
02WarmthThird practice
Warm Soak
An hour or two before bed, soak your feet in warm water and follow the warmth as it climbs, then leaves.
Set up. A chair, a towel, and a basin of comfortably warm water, about 104°F (40°C), deep enough to cover the ankles. A warm shower works too. One to two hours before bed.
- Before your feet go in, read them. Warm, cool or neither?
- Lower them in slowly. Feel the waterline cross the toes, the arch, the ankle.
- Hold still. Find the edge where the water ends and the air begins.
- Notice where the warmth travels: the soles, the shins, anywhere further up.
- At about eight minutes, lift your feet out and dry them slowly.
- Sit one more minute and feel the heat leaving through the skin.
What did you notice?How far up did the warmth travel before you took your feet out?
Why it works, and how good the evidence is
Warm water opens the small vessels in the skin of the feet. Afterward the body sheds heat through them, and that cooling is part of how the body gets ready for sleep.
The research. A systematic review of 17 studies, 13 of them pooled, found that warm water at 104 to 109°F before bed was linked with better self-rated sleep quality, and that as little as ten minutes, one to two hours before bed, shortened the time to fall asleep (Haghayegh et al., 2019). The review covered showers, baths and foot baths. The attention steps are this program's addition.
Evidence grade: Strong for warm water before bed and sleep. Early for the added attention.
Soften or skip. With reduced feeling in the feet, diabetes or a circulation condition, check the water with a thermometer and keep it at the low end, or use Warm Feet with socks. This is not a treatment for a sleep disorder.
A ten-minute soak timer
8:00
Read your feet first. Then lower them in and press start. The page chimes at eight minutes, then counts one more minute while the heat leaves.
Comfortably warm, about 104°F (40°C). Test it with your hand or a thermometer before your feet go in.
03The movement senseSecond practice
Mirror Hands
Close your eyes, put one hand somewhere, match it with the other, then look.
Set up. Seated or standing, with room to move both arms.
- Close your eyes. Lift your right arm into any shape and hold it still.
- Without looking, bring your left arm to the mirror image. Take your time.
- Before you look, guess: which hand is higher? Which is further forward?
- Open your eyes and see. Nothing to fix.
- Do five rounds with a new shape each time: high, low, out to the side, elbow bent, wrist turned.
- Last round: eyes closed, hold your right thumb up anywhere and touch it with your left fingertip.
What did you notice?Which was hardest to feel without looking: height, distance or the turn of the wrist?
Why it works, and how good the evidence is
Sensors in the muscles and joints report where each part is, with no help from the eyes. Vision normally covers for them. Closing your eyes hands the job back, and the look afterward is the feedback that sharpens the map.
The research. A systematic review of 51 studies found that proprioceptive training improved outcomes by an average of 52%, and that training in joint position and target reaching improved position sense by an average of 48% (Aman et al., 2015). Many of those studies worked with people recovering from stroke or injury, over weeks.
Evidence grade: Promising for position sense. Early for stress.
Soften or skip. With shoulder pain, keep the shapes below shoulder height or work from the elbows down. If closing your eyes while standing makes you unsteady, sit.
A new shape each round
Round 0 of 5
Press the button for a shape. Make it with your right arm, eyes closed, then match it with the left.
03The movement senseThird practice
Tall Seat
Slump on purpose, rise on purpose, and feel what each does to your breath, your eyes and your mood.
Set up. A chair, sitting forward of the backrest, feet flat.
- Slump. Let the head drop forward, the shoulders round and the back curve. Stay 30 seconds.
- Read it. Where is your breath? Where do your eyes land? What is the mood?
- Rise slowly. Let the sit bones press down, the spine lengthen and the head float up over the hips. Stay 30 seconds.
- Read it again: breath, eyes, mood.
- Travel between the two shapes in five slow stages, pausing at each.
- Settle at the tallest point that takes no effort to hold.
What did you notice?What changed first when you rose: breath, eyes or mood?
Why it works, and how good the evidence is
Sensors in the muscles and joints report the shape of the spine all day, and the shape changes how the ribs move and where the eyes point. Moving between two extremes on purpose makes a signal you normally ignore easy to read.
The research. In a randomized trial, 74 adults were assigned to a slumped or an upright seated posture, held in place with tape, through a stressful speech task. The upright group reported higher self-esteem, better mood and lower fear (Nair et al., 2015). It is one lab study in which the posture was held for the participants. It did not test a practice.
Evidence grade: Promising.
Soften or skip. With back or neck pain, make the slump small and short. This is not posture correction, and no position is the right one.
Slide from slump to tall
Stage 1 of 5: slumped. Head forward, shoulders round, back curved.
04Touch and weightSecond practice
Six Touches
With your eyes closed, learn one small object six ways: weight, temperature, texture, hardness, size and edges.
Set up. Seated, with one small made object: a key, a mug, a spoon, a coin, a pen. Nothing sharp or hot.
- Close your eyes. Rest the object on your open palm and lift it gently a few times. How heavy is it?
- Hold still. Is it cooler or warmer than your hand?
- Stroke one fingertip across the surface, back and forth. Smooth, rough or ridged?
- Press it. Does anything give?
- Close your whole hand around it. How much room does it take up?
- Trace every edge with one fingertip, slowly, all the way round.
- Open your eyes and look at what you were holding.
What did you notice?What did your hands find that your eyes had never bothered with?
Why it works, and how good the evidence is
Hands gather information by moving, and each property has its own best movement: lifting for weight, holding still for temperature, stroking for texture, pressing for hardness, enclosing for size, tracing for shape. Doing all six on purpose turns handling into perceiving.
The research. Two experiments with blindfolded adults showed that hand movements during touch are systematic: people use a particular movement to learn a particular property of an object (Lederman and Klatzky, 1987). That is lab work on how touch works. No study tested it as a practice, and nothing here is evidence for calm.
Evidence grade: Early.
Soften or skip. With reduced feeling in the hands, choose a larger object with a strong texture.
Six moves, six properties
Tap the first move, then do it with your eyes closed. Tap the next one when you are ready.
04Touch and weightThird practice
Borrowed Weight
Lie down, lay a folded blanket's weight on three places in turn, and feel which one your body welcomes.
Set up. Lying on your back with the knees supported. Two or three blankets folded into a heavy pad, or a bag of rice in a pillowcase, light enough to lift off with one hand.
- Lie still for five breaths with no weight. Feel the surface under you.
- Lay the weight across your thighs for ten breaths. Feel it press you into the floor.
- Move it to your hips and lower belly for ten breaths. Feel the breath lift it and set it down.
- Move it to your upper chest and collarbones for five breaths, if that is comfortable.
- Return it to the place that felt best and stay for two minutes.
- Lift it off. Feel the print it leaves, and how light you are without it.
What did you notice?Where was the weight most welcome: thighs, hips or chest?
Why it works, and how good the evidence is
Pressure receptors in the skin and deeper tissue respond to steady load. Weight from above adds to the floor's support from below, so more of the body reports being held.
The research. In a randomized trial, 120 adult outpatients with insomnia and a psychiatric diagnosis slept for four weeks under an 8 kg chain blanket or a 1.5 kg control blanket. The weighted group reported lower insomnia severity and fewer symptoms of fatigue, depression and anxiety (Ekholm et al., 2020). That was a clinical group using a full blanket all night. No study tested a few minutes of weight by day.
Evidence grade: Promising for weight and sleep in the trial group. Early for this short version.
Soften or skip. Use the thighs only with pregnancy, reflux, a breathing or heart condition, or recent surgery. Never use a weight you cannot remove yourself in one move.
Tap the place that fit
Thighs, hips, chest
Try all three first. Then tap the one your body welcomed.
05SoundSecond practice
Fading Bell
Ring one note, follow it until it is gone, then stay in the quiet it leaves.
Set up. A quiet room and something that rings and fades: a glass tapped with a spoon, a bowl, a bell, one guitar string, a single phone chime.
- Ring it once. Close your eyes or rest them on the floor.
- Follow the sound as it thins. Raise a finger the moment you can no longer hear it.
- Stay for five breaths and listen to what is left in the room.
- Ring it again. Notice where the sound seems to go: outward, upward or into your body.
- Ring it a third time. When it ends, sit in the quiet for two full minutes and do nothing with it.
What did you notice?Was the ending a single moment, or did the sound keep going after you thought it had stopped?
Why it works, and how good the evidence is
A fading sound makes hearing work at its edge, which takes full attention and leaves little for chatter. The quiet afterward is the other half: a pause the ear has just been tuned to hear.
The research. In a lab study, 24 adults (12 musicians, 12 not) listened to music tracks with a two-minute silent pause inserted at random. During the pause, heart rate, blood pressure and breathing volume fell below the starting baseline (Bernardi et al., 2006). The study was built to test music, not silence, and the sample was small.
Evidence grade: Early.
Soften or skip. If silence is uncomfortable, cut the last step to five breaths. With ringing in the ears, leave a soft background sound on. Keep the note gentle.
No bell handy? This page rings one
Ring it, close your eyes, and tap "It is gone" the moment you can no longer hear it. Keep the volume low.
Silent on an iPhone? Flip the ring switch on the side of the phone.
05SoundThird practice
Night Song
In bed with the lights out, play the same slow piece every night, quietly enough that you have to listen for it.
Set up. In bed, lights out, phone face down. One slow instrumental, the same one each night, set to stop on its own.
- Start the piece. Turn it down until you have to listen for it.
- Let your breath do what it does. Follow the lowest sound in the piece.
- When a thought takes you, come back to the low sound.
- As the piece goes on, stop following. Let it play over you.
- When it ends, stay in the quiet. No second track.
What did you notice?In the morning, how much of the piece do you remember hearing?
Why it works, and how good the evidence is
Slow, quiet music gives attention one mild target in place of the day's replay. Using the same piece every night turns it into a cue for what comes next.
The research. A Cochrane review of 13 randomized trials with 1,007 adults who had sleep complaints found, with moderate certainty, that listening to music improved sleep quality compared with no treatment or usual care (Jespersen et al., 2022). The trials used calm music for 25 minutes or more a day, so one short piece is less than they tested. The same-piece-nightly cue and the low volume are this program's additions and are untested.
Evidence grade: Strong for bedtime music and sleep quality. Early for one song and the same-song cue.
Soften or skip. If music keeps you alert, use it earlier while you get ready for bed. Keep the volume low and skip earbuds you might sleep on. This is not a treatment for a sleep disorder.
No piece picked yet? This page has one
Slow, low and quiet. It plays for six minutes and stops by itself. Turn your phone down until you have to listen for it.
Your own slow instrumental, the same one every night, is the real version. Silent on an iPhone? Flip the ring switch on the side of the phone.
06SightSecond practice
Slow Line
Draw the edge of one object without looking at the paper, moving the pen only as fast as your eye.
Set up. Seated at a table with paper, a pen and one object within reach: your other hand, a shoe, a mug, a houseplant.
- Put the pen tip on the paper. Look at the object. From here on, the page is off limits.
- Pick a point on the object's edge and let your eye crawl along it, as slowly as an ant would walk it.
- Move the pen at the same speed and in the same direction as your eye. Do not lift it.
- When the edge turns, bumps or dips, the pen turns with it. Keep going for two minutes.
- Look at the page. It will be wrong, and often funny. The drawing is the receipt, not the product.
- Do a second one for one minute, slower.
What did you notice?What did the edge do that you would have drawn differently from memory?
Why it works, and how good the evidence is
Most looking is labeling: mug, hand, shoe. Tracing an edge at the speed of a pen keeps the eye on what is there, not on what it expects. Keeping your eyes off the page removes the urge to judge the drawing.
The research. In one study, 39 adults made art for 45 minutes, and cortisol in saliva was lower afterward in about 75% of them, with or without art experience (Kaimal et al., 2016). There was no comparison group, and the session was open art making with an art therapist present, not this exercise.
Evidence grade: Early.
Soften or skip. No real limits. If your hand tires, shorten the first drawing.
Eyes on the object, not this screen
2:00
Put the pen tip on the paper, press start, then look at the object and nowhere else. A chime tells you when to look at the page.
The drawing stays on paper. Nothing to upload, and nobody grades it.
06SightThird practice
Three Colors
Color one small pattern with only three pencils and watch what the colors do to each other.
Set up. A table, three colored pencils, and a printed pattern or a few shapes you draw yourself.
- Choose three colors. Look at them side by side before you start.
- Fill one shape. Watch the color build as you layer it.
- Fill the shape next to it with a second color. Look at the edge where they meet.
- Keep going. Before each shape, look at its neighbors, then choose.
- Halfway through, hold the page at arm's length. See which color comes forward and which sits back.
- Stop at ten minutes, finished or not.
What did you notice?Which color changed most depending on what sat next to it?
Why it works, and how good the evidence is
The eye judges a color against its neighbors, so the same pencil looks different in different company. Coloring slowly with few colors makes that visible and gives the eyes one narrow, steady task.
The research. In a randomized study, 104 female university students did either daily coloring or daily logic puzzles for one week. The coloring group showed lower depressive symptoms and anxiety afterward; the puzzle group did not (Flett et al., 2017). The authors call their evidence preliminary.
Evidence grade: Promising.
Soften or skip. No real limits. If small shapes strain your eyes, use larger ones.
Three colors, one small pattern
Pick a swatch, then tap a shape. Before each shape, look at its neighbors. Paper and pencils are still the better version.
07BalanceSecond practice
Steady Cup
Carry a cup of water slowly across the room and read your balance on its surface.
Set up. A cup or small bowl half full of room-temperature water. A clear path of about ten steps, away from stairs and loose rugs. Bare feet or flat shoes.
- Stand still with the cup in both hands at navel height. Watch the surface until it settles.
- Walk the path at half your normal speed. Eyes on the water, not your feet.
- Turn slowly at the end. Turns are where the water has the most to say.
- Walk back with the cup in one hand. Then once more with the other hand.
- Finish standing still. Watch the surface go quiet, then feel your feet.
What did you notice?When did the water move most: starting, stopping or turning?
Why it works, and how good the evidence is
Balance mostly runs below awareness. The water turns every wobble into something you can see, so you get feedback without thinking about your joints. Attending to the effect of a movement, not the body parts making it, is called an external focus.
The research. A meta-analysis of 73 studies with 1,824 participants found that an external focus beat a body focus for motor performance (Chua et al., 2021). A later re-analysis argued that reporting bias inflated those results and that the true effect may be small to nil (McKay et al., in press). No study has tested a carried cup, and nothing here is evidence for calm.
Evidence grade: Early. The research on this one is the thinnest in the program. It is here because it is the clearest way I know to see your own balance.
Soften or skip. If you are unsteady on your feet, do it seated and pass the cup slowly from hand to hand. Spills are data. Wipe them up before the next pass.
No cup handy? Your phone can stand in
Lay your phone flat on an open palm, screen up, and turn on the level. The dot is your water. Keep it inside the middle ring while you walk.
Slow steps, clear floor. A real cup is still the better teacher.
07BalanceThird practice
Clock Steps
Stand at the center of a clock face and step out to the hours and back, feeling each push-off and landing.
Set up. Clear floor a stride wide in every direction, next to a counter or sturdy chair. Bare feet or flat shoes.
- Stand at the center. Picture a clock face on the floor around you, with 12 straight ahead.
- Step your right foot to 12, let your weight follow, then push back to center.
- Right foot to 3 and back. Right foot to 6 and back.
- Left foot to 12, to 9 and to 6, each time back to center.
- Second round, slower. Feel the moment the weight leaves one foot and the moment it lands on the other.
- Third round: choose the hours in any order. Finish at center with your feet side by side.
What did you notice?Which direction felt least sure: forward, sideways or back?
Why it works, and how good the evidence is
A step is a small controlled fall and a catch. Stepping slowly in directions you rarely use makes the push-off and the landing big enough to feel.
The research. A meta-analysis of seven randomized trials with 660 people aged 60 and over found that step training roughly halved the rate of falls (Okubo et al., 2017). Those programs ran for weeks, and some used fast or reactive stepping. Nothing here is evidence for calm.
Evidence grade: Strong for step training and falls in older adults. Early for this script.
Soften or skip. Keep one hand on the counter and make the steps small. Leave out the backward step if it feels unsure. With recent falls, dizziness or a balance condition, ask a clinician about balance training first.
The page calls the hours
Center
Stand at the center with 12 straight ahead and one hand near a counter. The page lights each hour, and reads it out loud when the voice is on in the guided player.
AllEvery sense at onceCapstone
First Bite
Meet one small piece of food as if for the first time: look, touch, listen, smell, and only then taste.
Set up. Seated upright, with one small piece of food you can hold: a raisin, a nut, an orange segment, a square of chocolate.
- Look. Turn it in the light for a full minute: color, folds, shine.
- Touch. Eyes closed, roll it between your fingers: weight, temperature, texture, give.
- Listen. Hold it by your ear and squeeze or roll it.
- Smell. Hold it under each nostril in turn. Notice what your mouth does.
- Place it on your tongue without chewing. Explore it for five breaths.
- Bite once. Then chew slowly and follow the taste as it changes.
- Swallow, and follow it down as far as you can feel it.
What did you notice?Which sense told you the most that you did not already know?
Why it works, and how good the evidence is
Familiar things get labeled and skipped. Taking one sense at a time, slowly, removes the label and leaves the signals. It runs sight, touch, sound and the inner sense in a row, then adds smell and taste, which have no tools of their own here.
The research. Across three experiments with 319 undergraduates, brief mindfulness instructions while tasting increased enjoyment of chocolate and of raisins compared with distraction, and in the third experiment led to fewer calories of unhealthy food eaten afterward (Arch et al., 2016). These were single lab sessions with students.
Evidence grade: Promising.
Soften or skip. If eating is a charged subject for you, stop after the smell step or use a cup of tea. Check for allergies.
Seven stages, one sense at a time
Ready
Have your one small piece of food in front of you. Tap Next to begin with sight.
Where this comes from
- Murphy et al., 2020, Quarterly Journal of Experimental Psychology. doi.org/10.1177/1747021819879826
- Fischer et al., 2017, Frontiers in Human Neuroscience. doi.org/10.3389/fnhum.2017.00452
- Bornemann et al., 2015, Frontiers in Psychology. doi.org/10.3389/fpsyg.2014.01504
- Kräuchi et al., 1999, Nature. doi.org/10.1038/43366
- Haghayegh et al., 2019, Sleep Medicine Reviews. PubMed 31102877
- Aman et al., 2015, Frontiers in Human Neuroscience. doi.org/10.3389/fnhum.2014.01075
- Nair et al., 2015, Health Psychology. PubMed 25222091
- Lederman and Klatzky, 1987, Cognitive Psychology. doi.org/10.1016/0010-0285(87)90008-9
- Ekholm et al., 2020, Journal of Clinical Sleep Medicine. PMC7970589
- Bernardi et al., 2006, Heart. PMC1860846
- Jespersen et al., 2022, Cochrane Database of Systematic Reviews. doi.org/10.1002/14651858.CD010459.pub3
- Kaimal et al., 2016, Art Therapy. PMC5004743
- Flett et al., 2017, Creativity Research Journal. university archive record
- Chua et al., 2021, Psychological Bulletin. repository record
- McKay et al., in press, Psychological Bulletin. preprint
- Okubo et al., 2017, British Journal of Sports Medicine. PubMed 26746905
- Arch et al., 2016, Behaviour Research and Therapy. doi.org/10.1016/j.brat.2016.02.002
Study details come from abstracts and publisher pages. Each grade describes the research a practice draws on: Strong means a meta-analysis or several randomized trials, Promising means at least one randomized trial sits close to the practice, and Early means the support comes from a related practice, a different group of people, or lab work only. The sources for the seven flagships are on the main page.
Keep listening.
Seven flagships on the main page, fifteen more here. Practice on your own, or with a guide in the room. I teach yoga and nervous system classes in New Lenox and work one-on-one.
Questions? rob@neurosomaticyogi.com
What did you notice?
Your answer stays on this device.

